Would George Lucas at last restore some of the old grandeur and excitement to his up-to-the-minute Industrial Light and Magic? Would my grown-up longing for a return to the wide-eyed enthusiasm of my own moviegoing boyhood - and my undiminished hunger for entertainment with sweep and power as well as noise and dazzle - be satisfied by "Revenge of the Sith"? But I was hoping, a little anxiously, for more. I was anticipating, at least, a measure of relief: finally, this extravagant, ambitious enterprise, a dominant fact of our collective cultural life for nearly 30 years, would be over. Like many others whose idea of movies was formed by (and to some extent against) the galactically later, terrestrially earlier "Star Wars" trilogy, I was disappointed by "The Phantom Menace" and "Attack of the Clones." So I approached the recent press screening of "Episode III" in New York warily, and perhaps a little wearily, though to balance my own trepidation I brought along two fans whose enthusiasm in 2005 easily matched my own in 1977, when I was a little older than they are now and when "Star Wars" - oh, all right, "Episode IV - A New Hope" - landed in my hometown. CANNES, France, May 15 - With "Episode III Revenge of the Sith," the "Star Wars" cycle at last comes to an end - or rather to a middle, since the second trilogy, of which this is the final installment, comes before the first in faraway-galaxy history even though it comes later in the history of American popular culture.
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